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Clive James citations
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Clive James, né le 7 octobre 1939 à Kogarah en Nouvelle-Galles du Sud, est un écrivain australien expatrié, poète, critique littéraire, essayiste, présentateur d'une émission-débat, auteur d'ouvrages de voyage et commentateur culturel.

✵ 7. octobre 1939 – 24. novembre 2019
Clive James: 151 citations0 J'aime

Clive James: Citations en anglais

“In the twelfth century the Basque fisherman of Biarritz used to hunt whales with deadly efficiency. When the whales sensibly moved away, the Basques chased them further and further, with consequence that the fishermen of Biarritz discovered America before Columbus did. (This is a matter for local pride but on a larger view is not quite so stunning, since with the possible exception of the Swiss everybody discovered America before Columbus did).”

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Clive James

'Postcard from Biarritz'
Essays and reviews, Flying Visits (1984)

“Every week I watch Stuart Hall on It's A Knock-Out and realise with renewed despair that the most foolish thing I ever did was to turn in my double-0 licence and hand back that Walther PPK with the short silencer.”

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Clive James

'Eddie Waring Communicates'
Essays and reviews, Visions Before Midnight (1977)

“After half a lifetime of poking fun at Bernard Shaw's materialism Kingsmill was not above touching the despised sage for ten quid. Even in the Australian school of literary morals, we weren't allowed to slag a man and put the bit on him simultaneously: it had to be one or the other.”

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Clive James

'Richard Ingrams at Doubting Castle'
Essays and reviews, From the Land of Shadows (1982)

“It just never occurred to me that the real distance I would have to cross would be in my own mind. In that respect, I had flown half a million miles before I moved an inch, and these three volumes are just the rattling the side of my cot made when I climbed over, on the first stage of that long, momentous journey across the carpet, towards the light of the open door.”

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Clive James

closing lines, p. 249
Memoirs, May Week Was in June (1990)

“Strong language in Larkin is put in not to shock the reader but to define the narrator's personality. When Larkin's narrator in 'A Study of Reading Habits' (in The Whitsun Weddings) said 'Books are a load of crap' there were critics - some of them, incredibly, among his more appreciative - who allowed themselves to believe that Larkin was expressing his own opinion. (Kingsley Amis had the same kind of trouble, perhaps from the same kind of people, when he let Jim Dixon cast aspersions on Mozart.) It should be obvious at long last, however, that the diction describes the speaker.”

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Clive James

'Philip Larkin: 'Wolves of Memory'
Essays and reviews, At the Pillars of Hercules (1979)

“Probably it is only in free countries, however, that a humorous regard for corruption is possible. In the totalitarian countries, corrupt from top to bottom, nobody is laughing because nothing is laughable. There is no difference between what things are and what things ought to be, since what things ought to be no longer exists even as a standard.”

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Clive James

'The Weld This Week'
Essays and reviews, The Crystal Bucket (1982)

“The most solid documentary of the week was White Rhodesia (BBC1), presented by Hugh Burnett. He was on screen only two or three times and even when he was there you would have sworn he wasn't.”

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Clive James

'A load of chunk'
Essays and reviews, The Crystal Bucket (1982)

“I think the control I had over my work was less than adequate. There was nothing wrong with the good bits in my poems, it’s just that they were packed around with lots and lots of bad bits, and I think that the only way I’ve improved in the last several decades [... ] is that I’ve learned to leave out the bad bits. I’m not sure you do improve beyond that.”

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From a conversation with Peter Porter broadcast on ABC Radio, Australia in the program 'Book Talk' on Saturday 15 October 2005
Television and radio

“It often happens that we are most touched by what we are least capable of. Evanescent delicacy is not the quality in the arts that I admire most, but it is often the characteristic by which I am most reduced to envy.”

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Clive James

Source: Memoirs, Unreliable Memoirs (1980), p. 64

“Everything the British Empire built here will be history. Most of it already is, but it’s a history that has left its mark. In the War Cemetery at Sai Wan Bay you can see it clearly: understated but indelible. The armed forces of Imperial Japan tried to enslave the whole of the East, including Japan itself. Caught up in the terrible war that raged in Asia and the Pacific, a lot of our people who came out here to fight never came home. They died in a good cause. But if the people in this graveyard were somehow to learn that yet another tyranny was on the way, they would find it hard to rest in peace. One of them is my father, who has lain here now for fifty years. He lived and died under our old empire without ever thinking that it was wonderful beyond question. But he thought that it created more than it destroyed, and he was right. The best hope of our last colony is that when the men from the mainland finally take over they will not try to rewrite history by pretending we were never here. Some of us will always be here.”

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Clive James

On the then imminent transfer of sovereignty over Hong Kong from the British Empire to the People's Republic of China. From Clive James' Postcard from Hong Kong.
Television and radio

“Rilke used to say that no poet would mind going to gaol, since he would at least have time to explore the treasure house of his memory. In many respects Rilke was a prick.”

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Clive James

From the preface, p. 9
Memoirs, Unreliable Memoirs (1980)

“Spielberg had done his best with Schindler's List, but his best left some of us wondering just how useful a contribution it was, to make a movie about how some of the Jews had survived, when the real story was about all the Jews who hadn't.”

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Clive James

'Glamourising terror', on The Baader-Meinhof Complex.
Television and radio, Radio 4: A Point of View

“In Germany, everyone knew that helping or hiding Jews was an unpardonable crime, which would be punished as severely as an attack on Hitler’s life – because it was an attack on Hitler’s life. Why, Goldhagen asks, did the population not rise up? The answer is obvious: because you had to be a hero to do so.”

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Clive James

Ibid.
Essays and reviews, As Of This Writing (2003)

“Borges, alas, had no particular objection to extreme authoritarianism as such. The reason he hated Peronismo was that it was a mass movement. He didn't like the masses: he was the kind of senatorial elitist whose chief objection to fascism is that by mobilizing the people it gives them ideas above their station and hands out too many free shirts.”

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Clive James

'Jorge Luis Borges', p. 69
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

“When Pushkin - who was in the position of having to think what form a national culture might take - called for a dispassionate criticism, he wasn't calling for help in writing poems, which he could do all by himself. He was merely stated his wish to write them in a civilized atmosphere, whose absence was reducing him to isolation, and thereby damaging his individuality.”

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Clive James

'A Death in Life'
Essays and reviews, Snakecharmers in Texas (1988)

“The Holocaust would have been unimaginable without the Nazi Party; the Nazi Party would have been unimaginable without Hitler; and Hitler’s rise to power would have been unimaginable without the unique circumstances that brought the Weimar Republic to ruin. To hear Goldhagen tell it, mass murder was all set to go: a century-long build-up of eliminationist anti-Semitism simply had to express itself. But the moment when a historian says that something had to happen is the moment when he stops writing history and starts predicting the past.”

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Clive James

Ibid.
Essays and reviews, As Of This Writing (2003)

“Himmler was certainly banal, but he was also baroque, steaming around in a special train and diverting large amounts of the Third Reich's increasingly thin resources to such 'tasks' as proving scholastically that the Japanese were Aryans. How could you show all that and be believed? The whole Nazi reality was a caricature. The more precisely you evoke it, the less probable it looks.”

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Clive James

Ibid.
Essays and reviews

“In Sartre's style of argument, German metaphysics met French sophistry in a kind of European Coal and Steel Community producing nothing but rhetorical gas.”

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Clive James

'Jean-Paul Sartre', p. 671
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

“Attempting to define the sensationalism of the press, Malcolm Muggeridge came up with the slogan 'Give us this day our daily story.' A doomed effort, because all it did was remind the reader that the King James Version of the Lord's Prayer was better written than an article by Muggeridge.”

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Clive James

'Georg Christoph Lichtenberg', p. 383
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

“All I can do is turn a phrase until it catches the light. There was a time when I got hot under the collar if the critics said I had nothing new to say. Now I realise that they had a point. My field is the self-evident. Everything I say is obvious, although I like to think that some of the obvious things I have said were not so obvious until I said them.”

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Clive James

Source: Memoirs, May Week Was in June (1990), p. 241

“[Mrs Thatcher] started quoting St Francis within minutes of becoming elected, and scarcely an hour had gone by before she was sounding like the book of Revelations read out over a railway station public address system by a headmistress of a certain age wearing calico knickers.”

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Clive James

'Zorba the Hun'
Essays and reviews, The Crystal Bucket (1982)

“His pear-shaped head, I could now see, was situated on top of a pear-shaped body, which his black gown caused to resemble a piece of fruit going to a funeral.”

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Clive James

Source: Memoirs, May Week Was in June (1990), p. 19

“For the educated man, there is a moment of his early acquaintanceship with Dante when he realizes that all he has slowly taught himself to enjoy in poetry is everything that Dante has grown out of.”

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Ibid.
Essays and reviews, At the Pillars of Hercules (1979)

“From 'What Happened to Auden'
His later manner leaves your neck-hair flat,
Not standing up as Housman said it should
When poetry has been achieved. For that,
In old age Auden simply grew too good.”

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Poems and song lyrics

“…it makes no sense whatsoever to call the perpetrators of the Holocaust ‘the Germans’ if by that is meant that the German victims of Naziism – including many Jews who went on regarding themselves as Germans to the end of the line – somehow weren’t Germans at all. That’s what the Nazis thought, and to echo their harebrained typology is to concede them their victory.”

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Ibid.
Essays and reviews, As Of This Writing (2003)

“The question isn't about what Schubert would have done if he had lived as long as Beethoven. The question is about what Schubert would have done if he had lived as long as Mozart.”

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Clive James

'Alfred Einstein', p. 184
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

“[In Marcel Ophuls' film The Memory of Justice] Mad old Nazis were to be heard deploring modern decadence. 'The difference is, we weren't obsessed with smut,' said one comfortable, retired SS man, all unaware of being up to his neck in blood and pus.”

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Clive James

'The Weld This Week'
Essays and reviews, The Crystal Bucket (1982)

“Martin, rather than step into the spotlight, would prefer to die in an unarmed attack on the power station supplying its electric current. His genuine modesty is the main reason for the fateful discrepancy between him and the journalistic literary sexton beetles who make copy out of him: they would like to receive the degree of attention that he would like to avoid, and the clearer it becomes that he would like to avoid it, the more they resent him for failing to appreciate their generosity.”

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On Martin Amis, p. 205
Memoirs, North Face of Soho (2006)

“If Brideshead Revisited is not a great book, it's so like a great book that many of us, at least while reading it, find it hard to tell the difference.”

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'Borgias on my mind'
Essays and reviews, Glued to the Box (1983)

“The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.”

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Clive James

'Introduction'
Essays and reviews, Glued to the Box (1983)

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