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Hans Arp

Date de naissance: 16. septembre 1886
Date de décès: 7. juin 1966

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Jean Arp ou Hans Arp, né à Strasbourg, le 16 septembre 1886 et mort à Locarno, en Suisse, le 7 juin 1966, est un peintre, sculpteur et poète allemand puis français. Cofondateur du mouvement dada à Zurich en 1916, il fut ensuite proche du surréalisme. Il réalisa de nombreuses œuvres plastiques, en étroite collaboration avec sa femme, Sophie Taeuber. La Bourse de traduction du Prix Nathan Katz du patrimoine a été attribuée en 2004 à Aimée Bleikasten pour ses traductions des poèmes en langue allemande de Jean Arp.

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Citations Hans Arp

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„I wanted to find another order, another value for man in nature. He should no longer be the measure of all things“

—  Hans Arp
Context: I wanted to find another order, another value for man in nature. He should no longer be the measure of all things, nor should everything be compared with him, but, on the contrary, all things, and man as well, should be like nature, without measure. I wanted to create new appearances, to extract new forms from man. This is made clear in my objects from 1917. p. 183

„Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation“

—  Hans Arp
Context: Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation.... tooting, howling, screeching, booming, crashing, whistling, grinding, and trilling bolster his ego. His anxiety subsides. His inhuman void spreads monstrously like a gray vegetation. quote in Arp on Arp: poems, essays, memories, Viking, 1972, p. 231

„The philosophers are of less use to Dada than an old toothbrush, and it leaves them on the scrap heap for the great leaders of the world.“

—  Hans Arp
Context: Dada was given the Venus of Milo a clyster and has allowed the Laocoön and his sons to rest awhile, after thousands of years of struggle with the good sausage Python. The philosophers are of less use to Dada than an old toothbrush, and it leaves them on the scrap heap for the great leaders of the world. p. 63

„Since the time of the cavemen, man has glorified himself, has made himself divine, and his monstrous vanity has caused human catastrophe.“

—  Hans Arp
Context: Since the time of the cavemen, man has glorified himself, has made himself divine, and his monstrous vanity has caused human catastrophe. Art has collaborated in this false development. I find this concept of art which has sustained man's vanity to be loathsome. p. 315

„I like nature but not its substitutes. Naturalist art, illusionism, is a substitute for nature.“

—  Hans Arp
Context: I like nature but not its substitutes. Naturalist art, illusionism, is a substitute for nature. I remember that in arguing with Piet Mondrian [in Paris, 1920's], he opposed art to nature saying that art is artificial and nature is natural. I do not share this opinion. I do not think that nature is in natural opposition to art. Art's origins are natural. p. 359

„We do not wish to copy nature. We do not want to reproduce, we want to produce. We want to produce as a plant produces a fruit and does not itself reproduce.“

—  Hans Arp
Context: We do not wish to copy nature. We do not want to reproduce, we want to produce. We want to produce as a plant produces a fruit and does not itself reproduce. We want to produce directly and without meditation. As there is not the least trace of abstraction in this art, we will call it concrete art. p. 183: Serge Fauchereau (1988) in Arp, p. 20 commented: 'Even though his work was nonrepresentational, Arp disapproved of the term 'abstract art' being applied to it, as he often explained with the above quote'.

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